World series game
For the 25th consecutive year, the World Series was televised in the United States by Fox. Play-by-play announcer Joe Davis (who was the Dodgers’ lead television announcer on Spectrum SportsNet LA during the regular season) called the games, along with Baseball Hall of Famer John Smoltz as color analyst and Ken Rosenthal and Tom Verducci as field reporters. https://tacomarentallisting.com/ Kevin Burkhardt hosted the pregame and postgame shows, joined by analysts Derek Jeter, Alex Rodriguez, and David Ortiz. Fox Deportes aired the Spanish-language telecasts, with play-by-play announcer Adrian Garcia Marquez, analyst Edgar Gonzalez, and reporters Carlos Alvarez and Jaime Motta.
Additionally, this World Series was contested between the two eventual winners of the most valuable player (MVP) awards in their respective leagues: Aaron Judge of the Yankees and Shohei Ohtani of the Dodgers. This was the first World Series since 2012 (when Buster Posey of the San Francisco Giants faced Miguel Cabrera of the Detroit Tigers) to feature the two league MVPs from that season. Judge won the American League (AL) MVP Award in 2022, while Ohtani won two AL MVP awards unanimously with the Los Angeles Angels in 2021 and 2023. During the 2024 regular season, Judge hit 58 home runs while Ohtani hit 54 during his 50–50 season, meaning that this is the first time in Major League Baseball history that two batters who hit 50 home runs in the same regular season are playing against each other in the World Series. Because of the renewal of the rivalry between the two storied franchises, and the World Series debuts of both Ohtani and Judge, many regarded the matchup as a “dream” World Series in the lead-up to the event.
LOS ANGELES — The Los Angeles Dodgers took Game 1 of the World Series 6-3 on Friday after a walk-off grand slam by Freddie Freeman in the bottom of the 10th — the first walk-off grand slam in World Series history.
• When we say “made his mark,” we really mean it. The 116.6 mph exit velocity on Stanton’s homer made it the hardest-hit batted ball in the World Series under Statcast (2015). And each of his last five hits have been home runs, tied with himself in ‘20 and the Pirates’ Bob Robertson in 1971 for the longest such streak in a single postseason, per Elias.
What is the hardest game in the world
Flappy Bird became infamous for its addictive gameplay, so much so its creator removed it from various app stores, sparking a wave of imitators. This only contributed to its legend, and now the simple game has become widely regarded as one of the most punishing.
Returnal is devilishly difficult and owes a lot to third-person survival horror shooters, and the Souls series. Much of its difficulty is due to the rigid rules surrounding progression, but some of these ideas have since been patched to make the game more accessible.
Not only does the game have the wonkiest controls I have seen, but the amazingly annoying narration drove me to the absolute edge. If you make a single wrong step, you risk starting from the beginning. Oh, that voice in your ears? It never shuts up and even taunts you. I must have climbed for hours and still never finished it. After uninstalling this pesky game, I decided it definitely deserves a spot on this list.
Flappy Bird became infamous for its addictive gameplay, so much so its creator removed it from various app stores, sparking a wave of imitators. This only contributed to its legend, and now the simple game has become widely regarded as one of the most punishing.
Returnal is devilishly difficult and owes a lot to third-person survival horror shooters, and the Souls series. Much of its difficulty is due to the rigid rules surrounding progression, but some of these ideas have since been patched to make the game more accessible.
Mad world game
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Proops and DiMaggio, who had previously worked together on animated films such as Asterix and the Vikings and Kaena: The Prophecy, were both contacted by the voice cast director Jack Fletcher to play the parts of the announcers for the North American and European release. While most of their lines were already scripted, the two were able to ad-lib during recording, with some lines being retained in the final game.
To overcome the lighting issues, the main character of Jack was modeled with two different textures, one used when he was in a bright area, and second used in dark areas that highlighted the main lines of the character’s face. Jack and other principal characters from the game were redesigned with the black-and-white features adjusted numerous times to make sure they did not simply blend into the background as the lesser enemies in the game. Other characters were drawn and modeled to be as destructible as possible, with numerous versions of each character having missing limbs or other bodily harm. These were put together in 2000-frame animations that were then motion-captured; movement from one animation to another was blended out with the use of Hermite interpolation. Blood spurts from each of the methods that Jack could use to kill a foe were each uniquely modeled to capture the appropriate trajectory for the type of injury, and often increasing the realistic amount of blood in order to make it stand out in the world. The spatters of blood on the walls, floor, and other characters was modeled within the game using a collision detection system and a complex system for how the blood would interact with Jack’s clothing. Early builds of the game resulted in disorientation and eye strain due to the lack of colors. To avoid this, the developers limited the amount of on-screen movement and adjusted the game’s textures to include more gradual changes from black to white. While some of MadWorld relies on the Havok engine for modeling physical interactions in the game, the developers found they had to resort to their own programs to capture some of the reactions and behaviors of the enemies for many of the unique killing methods.
The music for the game was composed by Naoto Tanaka, PlatinumGames’ in-house composer, along with four different local artists—Ox, Doujah Raze, Sick YG, and Bandy Leggz. Tanaka wanted to “write in American style music and tried to avoid a true Japanese style”. At the request of Inaba, the music styles included hip hop and rock, taking inspirations from the mashup album Collision Course from Linkin Park and Jay-Z. Tanaka created the backtracks first using Cubase SX and ACID, then gave these, along with the general theme of the level associated with the music, to the artists for them to add lyrics and other performances. Tanaka received feedback from the American branch of PlatinumGames to refine the music to get the Western style down. Music was then assigned for the various stages and boss battles, requiring some revision of the existing works to make the music more apt for that stage of the game. A total of 50 minutes of music was created for the game, and a soundtrack of the game’s music was released along with the game in the United Kingdom and Australia. The soundtrack was released in North America on June 30, 2009, by Sumthing Distribution.
